Qayyum chowdhury biography of albert
•
Sound Eating Silence
Mozai Zeevan Safori, The Race, oil on canvas, 2012.
Samir Majumdar, Peasant Family, pen and ink on canvas, 2012.
Both Mozai Zeevan Safori and Samir Majumdar who had their joint exhibition at Bengal Lounge, Gulshan, are greatly indebted to SM Sultan, who personally groomed them. One artist is from Jessore and the other from Narail. Their display goes on till November 13. The exhibition was inaugurated by Albert Conze, the Ambassador of Germany; well- known artist Qayyum Chowdhury and Monirul Islam spoke at the occasion.
It is not often that painters from outside Dhaka enthral art enthusiasts. Although only about 40, each of them was determined to make the Bengali proud of his past. They painted on canvas and cloth with unique visions. They presented men and women of the rural past with animals and birds that lurked in our forests and occupied the homes.
Lotus flowers and other blossoms--trees of all types, such as the date palm and the bushes in bloom, mak
•
Open Access
Peer-reviewed
- Woldemariam Erkalo Gobena ,
- Teramaj Wongel Wotale,
- Mesfin Esayas Lelisho,
- Wubishet Gezimu
- Woldemariam Erkalo Gobena,
- Teramaj Wongel Wotale,
- Mesfin Esayas Lelisho,
- Wubishet Gezimu
x
Abstract
Background
Stunting, short for age, affects the overall growth and development of the children. It occurs due to chronic under nutrition. Stunting vastly occurs in impoverished regions of the world, including Ethiopia.
Objective
This study aimed to investigate the prevalence and correlates of stunting among under-five children in Ethiopia using marginal models.
Methods
Data were taken from the 2016 Ethiopian Demographic Health Survey, which is a nationally representative survey of children in the 0–59 month age group. For marginal models, generalized estimating equations and alternating logistic regression models were used for the analysis.
Results
The prevalence of stunting among the under-five chil
•
Poetry on palette
Hashi Chakraborty, nickname Bachchu. I only heard his mother call him by this name when she used to come to Bangladesh to visit her son. He was born in his maternal uncle's home in Gournadi (1948) and grew up in Barisal in his own house. A two-storey wooden house in a spacious area in front of BM College, trees, bushes, a lotus pond with an uncanny dawn, Aswini Kumar Town Hall, Shankar Math, Jibanananda's house, a Kali Bari – these are the things amidst which his restless days of childhood, adolescence, and early youth had passed. In parallel with this eternal nature, there were eternal poverty, his father Sushil Chakraborty and Uncle Foni Chakraborty's left-wing political ideology and repeated imprisonments, and his mother's struggle. His personality and artistic mindset developed like foliage, in an amalgamation of all these factors. His fascination with painting began in school life when, in want of experience, his inquisitive mind sometimes crossed the social