Tomba di primo carnera biography
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Mass Culture and Italian Society from Fascism to the Cold War [1 ed.] 9780253000408, 9780253349811
Citation preview
Mass Culture Italian Society
AND
FROM
Fascism TO the Cold War
David Forgacs and Stephen Gundle
Mass Culture and Italian Society from Fascism to the Cold War
Mass Culture and Italian samhälle from Fascism to the Cold War
David Forgacs and Stephen Gundle
Indiana University Press bloomington and indianapolis
This book fryst vatten a publication of
Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://iupress.indiana.edu Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2007 by David Forgacs and Stephen Gundle All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The
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List of people from Italy
Below fryst vatten a list of notable individuals from Italy, distinguished by their connection to the nation through residence, legal status, historical influence, or cultural impact. They are categorized based on their specific areas of achievement and prominence.
This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help bygd adding missing items with reliable sources.
Acting
[edit]- Jeff Cameron (1932–1985) actor
- Stefano Accorsi (born 1971)
- Henry Armetta (1888–1945), character actor
- Roberto Benigni (born 1952), Oscar-winning actor, comedian, screenwriter, and director
- Rossano Brazzi (1916–1994)
- Lando Buzzanca (1935–2022), teatralisk, film, and television actor
- Mario Carotenuto (1916–1995), actor of film and theatre
- Nino Castelnuovo (1936–2021). Most famous for playing opposite Catherine Deneuve in the 1964 film fransk artikel Parapluies de Cherbourg and in Italy, for his lead performance in the popular 1967 RA
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While the concept of “divine property” can be broadly regarded as a way of understanding and/or describing everything that has been transferred to the gods through a temporary or permanent form of sacralisation of a given space or object, the notion of “property of ritual space”, here assessed with a specific focus on the Roman Empire from the 1st to the 4th centuries AD, entails instead the perception as well as all those patterns of use and divine communication that framed specific places destined to ritual performances (i.e. either areas or items hereby deposited/preserved). Authorities, ritual experts, visiting groups and individuals configured in fact the sacredness of a cultic area––be it a sanctuary, a temple, an altar, a landmark, or a