Smadar perry biography of donald
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By Tisaranee Gunasekara*
“Israel today is dynamiting the edifice of the global norms built after 1945.” — Pankaj Mishra (The Shoah after Gaza – London Review of Books – 21.3.2014)
COLOMBO, Sri Lanka | 26 December 2024 (IDN) — In the second decade of the 21st Century, genocide is being televised. 72 Virgins—Uncensored was a Telegraph channel run by the Israeli Defence Forces’ Influencing Department (Orwellian by name and by deed).
According to an expose by Israeli newspaper Haaretz, the channel promises Israeli audiences ‘exclusive content from Gaza’—gory videos of death and destruction visited on Palestinians recorded by their IDF perpetrators.
An example: “Burning their mother…” exults an October 11th 2023 post; “You won’t believe the video we got! You can hear the crunch of their bones. We’ll upload it right away, get ready” (https://www.haaretz.com/israel-news/security-aviation/2023-12-12/ty-article/.premium/graphic-videos-and-incitement-how-the-idf-is-misleading
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Rabbi
Kath Vardi
MRJ
Rabbi
René Pfertzel
Co-Chair of the Conference of Liberal Rabbis and Cantors and Kingston Liberal Synagogue
Mr
Gavin Stollar
Honorary Chair, Liberal Democrat Friends of Israel
Rabbi
Deborah Kahn-Harris
Leo Baeck College
Rabbi
Mark Goldsmith
Edgware and Hendon Reform Synagogue
Rabbi
Deborah Blausten
Finchley Reform Synagogue
Mr
Amos Schonfield
Deputy Director of HIAS+JCORE, Board of Deputies representative for Masorti Judaism
Mrs
Katie Jay
Rabbi
Paul Freedman
Senior Rabbi, Radlett Reform Synagogue
Mrs
Emma Roche
Edgware and Hendon Reform
Rabbi
Ariel J Friedlander
Miss
Angela Savva
Southgate Progressive Synagogue
Rabbi
Andrea Zanardo
BRIGHTON AND HOVE REFORM SYNAGOGUE
Rabbi
Hadassah Davis
Retired rabbi
Mrs
Niki Tomkinson
Cardiff Reform Synagogue
Rabbi
Thomas Salamon
Westminster Synagogue
Mr
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Mika Rottenberg
Argentina-born, New York-based artist Mika Rottenberg is devoted to a rigorous practice that combines bio, architectural installation, and sculpture to explore ideas of labor and the production of value in our contemporary hyper-capitalist world.
Using traditions of both cinema and sculpture, she seeks out locations around the world where specific systems of production and commerce are in place, such as a pearl factory in China, and a Calexico border town. Through the editing process, and with footage from sets built in her studio, Rottenberg connects seemingly disparate places and things to create elaborate and subversive visual narratives. By weaving fact and fiction together, she highlights the inherent beauty and absurdity of our contemporary existence.
Each of Rottenberg’s video works is situated within a theatrical installation, made up of objects from the lush and bizarre parallel worlds in her videos. Sacks of pearls, deflated pool toys, plastic flowers a