Reconnaissance by robert schumann biography youtube
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Robert Schumann: Carnaval and Fantasie
Robert Schumann:Carnaval and Fantasie
Robert Schumann: Carnaval, Op. 9 (Scènes mignonnes sur quatre notes);
Fantasie in C major, Op. 17
Label: Centaur Records | Catalog: 3504
Engineered by Joseph DeVico | Cover: ‘Three Suns’ painting by David Dubal; Venetian masks collage.
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Carnaval – Part 1
Carnaval – Finale
Fantasie – Part 1
Fantasie – Part 3
Inventive and virtuosic CARNAVAL, Op. 9, was written by Robert Schumann in 1834 and published in 1835. It originated from his unfinished variations on a Trauerwalzer (Sehnsucht) by Franz Schubert, and dedicated to the v
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Schumann, Robert (EN)
Compositions not opused bygd Schubert are quoted after Robert Schumann Thematisches Verzeichnis sämtlicher im Druck erschienenen musikalischen Werke, 5th ed. extended and revise, ed. K. Hofmann and S. Keil, Hamburg 1982.
Instrumental:
8 polonaises for piano for 4 hands, WoO 20, 1828, published in UE 1933
Piano Quartet in C minor WoO 32, 1828–29, published in Wilhelmshaven 1979 Heinrichshofen
Toccata in C major Op. 7 for piano, 1829–33, published in Leipzig 1834 Hofmeister
Papillons Op. 2 for piano, 1830–31, published in Leipzig 1831 Kistner; it includes material selected from 8 Polonaises for piano for 4 hands WoO 20 and 6 Waltzes for piano from 1829–30.
Allegro in B minor Op. 8 for piano, 1831, published in Leipzig 1835 Friese
6 études (…) d’après des caprices dem Paganini Op. 3 for piano, 1832, published in Leipzig 1832 Hofmeister
6 Intermezzi Op. 4 for piano, 1832, published in Leipzig 1833 Hofmeister
Thème sur le nom Abegg va • Work for piano composed by Robert Schumann Carnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled Scènes mignonnes sur quatre notes (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy (commedia dell'arte). He dedicated the work to the violinist Karol Lipiński. Carnaval had its origin in a set of variations on a Sehnsuchtswalzer by Franz Schubert, whose music Schumann had discovered only in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's heroic treatment was an inappropriate reflection of the tender nature of the Schubert piece, so
Carnaval (Schumann)
Background
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